Strom Mccallum

“Darling” is the second shimmering single off singer-songwriter and all-around dashing dandy of a gentleman, Strom Mccallum’s upcoming LP. The song was recorded in Charleston, South Carolina at Truphonic Studios with the legendary master engineer Vlado Meller.

The track seems to summon warmer days even when it’s still pretty cold out. And evokes a unique blend of alternative country and vintage psychedelia.

Mccallum’s “Darling” is a joint, it’s a cold beer, it’s a bottle of strong whiskey on a hazy beach when you’re depressed yet madly in love. It’s the sound of another spring.

But in reality, Mccallum’s “Darling” is an incredibly eclectic sound of outlaw country gone stoner beach boy. And we absolutely love it from the very bottom of our hearts. Take a listen for yourself. And prepare to be stirred.

Keep up with Strom Mccallum on Spotify! And be sure to stay up with the self-proclaimed professional revolutionary, democratic socialist, proletarian internationalist, and anti-neo-Confederate Southern nationalist on Instagram!

Red Giant Mirage

Red Giant Mirage is an experimental psych-rock project created by Brayden Willmott, an Australian musician from the arid metropolis of Perth. Being a huge fan of Film Auteurs, Willmott strives to create every facet of his music using analogue gear.

“Killer Whale” was a spur of the moment track. The creation process started and ended in a matter of hours. Willmott wanted the song to be jazzy but ended up stumbling into a Melody Echo Chamber. The lyrics were inspired by Sean Tan’s work “Killer Whale”. Now, listen and dig:

“Killer Whale” Red Giant Mirage’s debut single, includes some truly wicked animation, and emits radical vibrations that seep through one’s psyche, and reminds one of kinder days, and warmer nights. “Killer Whale” is truly a dope track, and so very smooth – dripping with vibrations of vintage psychedelia and a simmering desert soundscape.

The music video for “Killer Whale” was made by Thigh Rash and features Oliver Booth on the guitar for the ending solo. Keep up with Red Giant Mirage on Spotify and Instagram. Red Giant Mirage’s EP is coming out on the first of March.

The Informations

The Informations is the alter ego of Frederik Tao, a Danish producer and musician who creates timeless music that reminds us of lost albums from our youth – including melodies and vocals from the depths of our manic dreams.

“Strange Habits” (the new single from The Informations) sounds a bit like a frantic soundscape somewhere between indie pop and avant-garde psychedelia – with pineal piercing vocals, a blistering drum track, and hypnotic guitar riffs. It’s bloody magnificent!

With the release of “Strange Habits” (a sonic departure from their last single), The Informations have evolved into one of the more intriguing projects on the indie scene. We can’t wait to hear what is in store for us next. In the meantime, give The Informations new single a listen:

The music video is by Kristian Leth using footage from Jørgen Leth and Ole John’s 1970 film ‘Motion Picture’. It features legendary tennis player and all-around cool guy Torben Ulrich, who is a Danish writer, musician, filmmaker, painter, director, performer and former professional tennis player.

Fun fact: Ulrich is the father of Metallica drummer Lars Ulrich.

Keep up with The Informations on Soundcloud!

Maddie Jay & Friends

Lunch Break (Live @ Dimension 70 Studio NYC) – Maddie Jay & Friends

Maddie Jay & Friends played some tunes at Fern’s studio during their east coast tour this year.

The jam “Lunch Break” is a lowkey slow-burner fit for a hazy beach on a Sunday afternoon. It’s sublime.

Big thank you to Dimension 70 for featuring this radical set!

Drums are held down by Eric Derwallis, the key master is Danae Greenfield (check that piano solo at the end) guitar is all Charlie Kendall, set engineered by Steve Xia, assistant engineer Nicky Young, and the videographer is the Matt Kricheli! And a special thanks to the studio audience!

Give Maddie Jay a follow on Instagram!

An Artist’s Perspective: Will Artificial Intelligence Be Our Undoing?

The Case For Artificial Intelligence: How AI May Save the Human Race

Humans are terrible with data. It bogs down just about every aspect of life in a society and actually leads us astray — coming to false conclusions via incomplete data, leaving us overwhelmed by the amount of research that is required to fully understand a problem. 

This is why we are seeing computers and intelligent AI more and more in new technologies. Even in the music world we are witnessing the inklings of AI seep its way into the fabric of the industry. Humans are not rationale beings. They are still, for the most part, controlled by jealousy, greed, and neurotic emotions. We have a terrible problem with deceit — lying. We are still only animals after all. 

From healthcare, to safety, to conservation, it’s data that is empirically collected via scientific research that drives this phenomenon forward. Humans are flawed on this front when it comes to using this information, thus turning to AI may be the best way forward as global society stalls on important issues.

By using artificial machine learning, that is training a computer mind to understand an issue and make decisions based on the data it has been fed or has collected itself, a truly unbiased and inhumanly efficient way of looking at the world could be shaped. Artificial intelligence could be used for great good in the future if we decide to listen to what AI tells us. However, the artificial learning machine may very well destroy us if we’re not cautious.

The Case Against Artificial Intelligence: How AI May Destroy the Human Race

The benefits of turning to AI technologies to solve humanities problems is incredibly tempting. The amount of research that could be done in the blink of an eye with these machines is completely unfathomable compared to a team human researchers. Yet, could this same power be our own undoing?

Could AI absorb all of our jobs, and even assume the role of the artist, and musician? Perhaps, but I have a hunch, that as long as the human being remains in its current form, it will most likely enjoy art created by it own kind. But then again, I’ve been wrong before. And, it appears AI is already shaping the method, and type of music we consume.

A human hacker with an internet connection is capable of untold amounts of damage without leaving his or her home. Imagine what a supercomputer AI who is bent on causing as much mayhem as possible, could do. Wars have been fought over less mind you. Furthermore, what happens if something becomes so intelligent and so alienated from what we want it to be that we have no hope of controlling it? How does this particular genie get back into its bottle?

My favorite nightmare of this particular doomsday scenario brought on by AI of this nature is that of the Grey Goo Apocalypse. The idea boils down to self-replication like all life does or like that seen in even the first computer viruses, though this nightmare involves nano-bots. The gist is that if a self-replicating form of nano-bot (for healthcare or research) is created, it will need resources to self-replicate. 

If AI gets out of control, it will start taking our resources to reproduce. Then us. Then the earth. It may then very well venture into the stars – looking for more resources to recreate itself again and again to the point that the entire cosmos is consumed. Hell, perhaps this is our destiny. A sort of eternal path of self-replication. Who knows, perhaps this is the very simulated reality we’re experiencing now.