Magic Fingers

Photo Courtesy of Magic Fingers’ Facebook

“Two Doors Down” by Austin-based Magic Fingers brings us back to a time when beach pop wasn’t so worn out. To be honest, this song is just too much fun. I like to listen to it while I’m at work so that I can escape, and imagine myself driving down a desolate California highway.

Yeah, it sounds cliche, but this song is wonderfully nostalgic. Don’t get that confused with being irrelevant, though. “Two Doors Down” works well as a modern hit too, with smooth vocals and a story about a girl with a “tricky situation” feels like a fresh take on an old formula.


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

Spencer Bonds ft. Kevin Abstract

Photo Courtesy of Spencer Bonds’ Instagram

“Weekend Wave” features the vocals of Kevin Abstract (founding member of hip-hop group Brockhampton) and the instrumental genius of Spencer Bonds. The combination makes for one fun party track perfect for turning your brain off and enjoying the weekend.

The lyrics don’t convey much else besides the typical “going out” vibe, but there is a hidden element of synth-pop beneath the basic narrative. This saves the song from becoming just another party anthem, which any fan of Spencer Bonds can appreciate.


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

Thomas Hewitt Jones

Photo Courtesy of Thomas Hewitt Jones’ Facebook

Thomas Hewitt Jones shows a lot of heart in his music. The sound of his album Under Milk Wood is consistently versatile as the album’s tracks vary from upbeat to downtrodden. While many artists prefer to dictate the stories within their music with words, Jones weaves stories carried by the narrative voice of piano and violin alone. Jones lets his listeners explore their imagination without lyrics, giving his audience the freedom to create a story of their own. His song “Dreams” is a perfect example of that, as it takes on almost a fantastical element. 

The song starts off slow and melodic before it grows into a powerful ballad with a melody that reminded me of epics fairy tails such as The Legend of Zelda or The Lord of The Rings. However, the storybook aspect of his sound doesn’t exclude “Dreams” from carrying a weight that would fit into a modern tale. There are levels to the song which carry an emotional depth that lyrics simply can’t convey. Sometimes a feeling can only be felt through a melody and no matter how hard songwriters try nothing resonates as well as or feels as true as a smooth, straightforward instrumental melody inviting us to construct an epic of our own.


“We are like butterflies who flutter for a day and think it is forever.” — Carl Sagan

Interview: Daniel Ruiz

Last week I had the pleasure of speaking with Daniel Ruiz, a super rad artist making music out of Barcelona, Spain. I had a wonderful time chatting with Daniel about his influences, his writing process and specific life events that inspired his work. His music has an emotional element to it which I could not ignore.

Alisa: So, I was listening to your music this morning (I listened to Blackout Drunk Dream and I Can’t Believe My Luck) and I really loved the emotion your lyrics portray. Would you say that you’re in touch with your emotions, or that anything has inspired those lyrics?

Daniel: I usually have a hard time figuring out what my emotions are and how they work. I try to be in touch with them, but I don’t always know how to successfully manage them, and I think that my writing helps me a bit with that. I write a lot about the night life (I Can’t Believe My Luck is a good example of that), so that could be considered an inspiration, I guess.

I think that my lyrics tend to be in the storytelling way of writing, but I never stopped to think about the connection between them and my feelings.

Alisa: Ah, I ask because to me the lyrics felt emotionally flushed out, so it’s interesting to hear you say that. Would you say that you tell full stories with your music?

Daniel: Actually, I wouldn’t describe them as “full”. I realized that my lyrics were getting longer and longer with time as I tried to give them more depth, to the point that they wouldn’t fit in a song anymore, so when a lyric gets out of control now I just turn it into prose and make a short story.

Alisa: Very nice. Do your life experiences inspire these short stories?

Daniel: There’s a fictional component to it for sure, and there are stories that are 100% made up.

I always prioritize the story to the truth, except in cases where the truth is enough of a story to be told.

Alisa: Do you prefer certain stories, or do you just let them flow?

Daniel: I let them flow, but I’m aware that there are certain “constant themes” to them, both the stories and the characters. But I feel like trying to guide a story to a certain point is the first step to fucking up. I think that you have to let her dictate the direction and just try and rise to the challenge that is writing it in a compelling way and a way that you feel you can identify.

Alisa: That’s a more complex way of songwriting than I’m used to hearing. Did any other artists inspire the way you create your music?

Daniel: For sure. Tom Waits, Lou Reed, The Doors, Morphine, for example, and even though they are not musicians, authors like Bukowski, Kerouac, Hunter S. Thompson and Orwell. I love music that has a literary component to it.

Alisa: Do you think that those musicians and authors inspired you to make music, or was that a personal decision?

Daniel: I started playing at 17 with some friends, so I think that came later. The musicians and authors that I listed earlier on helped me go deeper, I think.

Alisa: Did playing with your friends just start out as a hobby, then?

Daniel: Yep, we did it just because.

Music took the spotlight of my life when I got sick. I got diagnosed with cancer at the age of 20. I’m fine now, but that basically changed my priorities completely… Destroyed my life and created a new one.

Alisa: Wow, that is a life changing event. Where did music fall in your post-cancer list of priorities and why?

Daniel: At the top. 99% of the time I’m either playing or thinking about it. It just was the only thing that made sense.

Alisa: Obviously, you changed through this event, I mean who wouldn’t? Did your sound change with you?

Daniel: I mean, before releasing music as Daniel Ruiz, I released a few albums as Weinf. It just got darker.

Alisa: I can’t imagine your music wouldn’t come out darker after that. How would you describe your sound now?

Daniel: Tough one… Drunk music for flamingos.

However dark or inebriated, Daniel’s unique take on songwriting and his focus on storytelling has made for some very special music.

Check out Daniel on Bandcamp, give him a follow on Twitter, and listen to his latest singles on Spotify. His new EP will be dropping later this summer. 


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

ModernGrim

Photo Courtesy of ModernGrim’s Soundcloud

“Ghost Boy” is a short and sad ballad by ModernGrim, an artist who has perfected the art of pulling on the listener’s heartstrings. Despite the heaviness, I can’t help but describe the track as soft. It’s filled with soft vocals, soft beats and even softer instrumentals.

You know that feeling when you can’t do much of anything except lie in bed and stare at a wall? Or when you find yourself waking in the middle of the night after a dream has reminded you of something you buried deep inside, something you would just rather forget?

Those are the emotions that this song weaves in the subconscious mind of the listener.

The song is a gentle nudge into a reverie of despondency, but don’t let that stop you from enjoying the track. Even happier listeners can get lost in the tenderness of the song.

Follow ModernGrim on Soundscloud


“We are like butterflies who flutter for a day and think it is forever.” — Carl Sagan