Home

Bandcamp Exclusive: Big Dill and the Boys | Ananda Luna | The Magic City Trio

Big Dill and the Boys – Lazy River

Big Dill and the Boys are an alternative psychedelic folk-rock band hailing from the midwestern state of Wisconsin.

The tattered outfit of musical misfits formed in the long hot summer months of 2015, drawing from the songwriting vibe of their idol Neil Young, the sublime instrumental intricacies of the Grateful Dead, and the soft and subtle twang of the Flying Burrito Brothers.

Big Dill’s debut album — Dead on the Run — came out in August of 2018.

The boy’s “Lazy River” jam off the same album, floats the listener along a sumptuous sonic stream of luminous love in absolutely beautiful fashion.

Ananda Luna – Play Dough

Ananda Luna is a creative collective currently based out of Almeria Spain. The ever-evolving group is a cross generational, cultural, and spontaneous collaboration fronted by singer songwriter, and multi-instrumentalist, Anjalirose.

Anjali often invites her friends to join her on tour across the US, Montreal, and beyond. She often brings makeshift hand percussion and passes around the microphone — coupled with tantalizing looped sounds to create a sense of kinship through her spontaneous performances.

Luna’s latest single — “Play Dough” — is an experimental trip into the multi-dimensional world of vocal a·mal·ga·ma·tion. The world percussion seems to anchor down and unite a vivacious soundscape and vivid vocals bordering on the edge of methodical chaos.

The Magic City Trio – Black Dog Following Me

The Magic City Trio is a vintage outfit made up of Frank Sweeney, Annie Holder, Adi Staempfli, and Charlotte Burke. The band is a magnificent experimental conglomeration of pre-war americana music and modern hillbilly noir, with their very own touch of vintage psychedelia.

Amerikana Arkana — their debut album — was released back in April. The songs off the record occupy an arid landscape of murder ballads, outlaw stories and desperate songs of loss and despair. The record bears the influential mark of Ennio Morricone and the psychedelic cowboy music of Lee Hazlewood. 

“Black Dog Following Me” is the lead track off the album — and is an iridescent homage to the greats now dead and gone.

Though based out of London, The Magic City Trio has travelled and played throughout the US, Ireland, and Germany. Their LP is now available as a deluxe vinyl package plus a CD, download, and a 16 page book.


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

Uncensored SubmitHub Review From the Perspective of Both an Artist and Blogger

A couple years ago, after finally releasing my experimental indie debut album, the time had come for me to do what I hated most — promote my own music.

I love making music, and I also love promoting other people’s music (that I like), but I despise promoting my own music. The whole thing feels kind of gross to me for some bizarre reason — like i sold out, or worse yet, sold my soul to the devil himself.

How could I sum up my experimental masterpiece in mere written words? How could I exploit something so personal, and dear to my heart? Would I even be able to handle rejection, or worse yet — no response at all?

I started perusing the web for music blogs who accepted submissions — and almost immediately noticed that many of these blogs were also accepting submissions via a platform called SubmitHub — and some only accepting submissions through this service.

I’m not going to lie, my shit radar immediately began to sound its alarm upon this realization. the whole idea pissed me off a bit for some weird reason. I have no idea why, it just did.

I remember thinking to myself: “Fuck these SubmitHub blogs!”

However, after emailing my album to over a hundred music blogs and college radio stations, and then spending over $200 on postage — mailing physical copies of my album to blogs and radio stations around the world, and then hearing back from only one outlet, I hit the snooze button on my shit radar and sauntered on over to submithub.com to see for myself what the commotion was all about.

My initial reaction to the submission platform was the strikingly simplistic layout reminiscent of the late 1990s, and also the pale color purple — that seemed to pervade the site. It honestly looked pretty damn legit (shiny websites with lofty claims tend to scare me off), so I said fuck it, and bought a shitload of credits to try my hand.

Honestly, at the time — the bulk discount got me.

I submitted my favorite track to around forty blogs, and to my surprise, received feedback from nearly all of them.

The responses were initially quite hard to stomach, but it was apparent they had at least listened to the track and put some thought into their critique, which made me feel a little bit better about the whole thing.

Two of the blogs accepted my track — and included it in blog posts with a slew of other artist’s tracks. At first this bummed me out a bit that they didn’t feature my track by itself, or at least with a couple other solid tracks. However, I’ve come to find that this really just depends on the blog, because since then, several blogs have featured many of Santa Rosa Records’ other tracks in a more intimate, and thought provoking way — which is much cooler of them than just stuffing a shitload of track embeds into a single blog post accompanied by a sentence or two, and calling it good. This practice should come to an end IMHO.

Subsequently following this initial semi-successful experience with SubmitHub, I decided to take a gander behind the curtain, so I signed up my very own indie music label & blog with the submission service.

We have and always will accept music submissions via email (a totally free option), just don’t expect to hear back from us. We receive over a hundred submissions every day, so it’s become nearly impossible for us to acknowledge each and every track that comes our way, that is, unless you submit your music to us via SubmitHub.

With this submission service, you’re practically guarandamnteed a response.

Why? You may ask. Well, simply because you pay us to take an extra moment of our precious time to verbalize in coherent written words what we like and don’t like about each and every track sent to us via this platform. It’s as simple as that.

If you cannot handle constructive criticism or are very easily offended, then I highly discourage you from using SubmitHub. The music blogs using this submission service will not bullshit you. The platform is not for thin-skinned individuals who deem negative feedback — indie artist abuse.

It is, however, good for you lonesome artists out there who are beginning to feel like you’re pitching your music to a brick wall. It’s sometimes good to hear back from a fellow living and breathing human being — telling you that they actually listened to your track, even if their opinion of it is not what you’d like (or were expecting) to hear.

So, if you’re looking for an easier and more efficient way to submit your tracks to music blogs — and don’t mind putting a few bucks behind this endeavor — then SubmitHub is your best bet.

Good music is highly subjective, so please don’t take the feedback too personally.

I must admit though, there really is some horribly palatable music out there. So, if you’re getting absolutely lit up with harsh critical feedback, then perhaps it’s high time for you to change something up.

Merely my $0.02.

Much love. And please, stay cool all you psychedelic dreamers. Your time will come.

How to Make it in the New World of Digital Music: The Dream

Spotify Exclusive: Lukka | Daniel Ruiz | Brother Toaster & Tyler Arnott

Lukka — “Growing Gold”

Lukka’s “Growing Gold” is a glowing masterpiece of nostalgic wonderment infused with a mesmerizing dose of infectious vocals and a haunting soundscape wreaking of surreal splendour. The song is reminiscent of a dreamy fusion of the South African group Mango Groove and New German Wave artist, Gabriele “Nene” Kerner.

The acoustic world percussion on the track is absolutely magnificent. A riveting percussive beat, I must confess, envy with a delirious smile.

As I grow older, I can’t help but feel that my memories seem more like fading dreams than they do the happenings of our supposed reality’s past events. Life is beyond bizarre my friends — but the beauty of it is undeniable, so enjoy the ride while it lasts.

Now lay your head down, and take in the psychedelic sonic waves of Lukka’s gorgeous, “Growing Gold”.

Daniel Ruiz — “El Universo No Observable”

Daniel Ruiz — Barcelona’s very own poet of despair — lays aside the pen for but a night, and brings to us a cosmic wonderland shimmering with galactic undertones of eternal anguish.

The downtrodden vibrations of Daniel’s instrumental work of transcendental art is a sonic spectacle not of this earth — but of a place with no boundaries, a place expanding with every passing moment.

Now lay aside your internal misery for but an instant and lose yourself in the glorious resonance of the psychedelic dreamer, Daniel Ruiz.

Brother Toaster & Tyler Arnott — “Fungal Forest”

Brother Toaster and Tyler Arnott team up for a catatonic concoction of blurry eyed, blues-inspired melodies. In plain speak, two lackadaisical brohemians join forces on an EP now known as, Recreational Landscaping.

The 5-track album is a mostly instrumental feat, dripping with Zeppelin-esque guitarwork and a sublime, laid back mood of two down-to-mars dudes jamming till the break of dawn.

The natural nature of the EP slithers effortlessly from track-to-track like a common Garter snake on a long and hot, Sunday afternoon.

“Fungal Forest”, our personal favorite track off the EP, is an au naturel homage to our living and breathing fungal cousins.

Now sit back, take a load off, and get down to the psychedelic vibrations of the always cool, Brother Toaster and Tyler Arnott.


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

Bandcamp Exclusive: Hungry Lake [and] Jaguar Purrs

Hungry Lake

Hungry Lake is a psychedelic alt-folk band out of Toronto, Ontario — glowing with nostalgia.  

Sweeping guitars and monolithic walls of intense vibrations meld with Hungry Lake’s depressing ballad of eternal despair in absolutely beautiful fashion. It’s a special sonic spectacle to behold.

Next year, the band will embark on a national tour to bring their sad sound to festivals and smaller communities across Canada.

And now, without further ado, here is Hungry Lake’s magnificent lofi track, “Town Square”.

Jaguar Purrs

Jaguar Purrs is an experimental outfit from Atlanta, Georgia — serving up a couple of eclectic jams of somber sadness.

“Vampire“ — their latest single — is an irrefutable track of spooky splendor just in time for the autumnal equinox. The indie pop soundscape is drenched with iridescent synths and a hypnotic beat.

If you’re looking for something fresh — well then you’ve found a friend in Jaguar Purrs. Shit doesn’t get much fresher than this. Enjoy.


“We are like butterflies who flutter for a day and think it is forever.” — Sagan

12 Indie Music Blogs To Submit Your Music To In 2019

Aquarium Drunkard

Based in Los Angeles, California — Aquarium Drunkard is a rather eclectic indie music blog featuring tantalizing daily music reviews, interviews, and features from all sorts of exceptional artists. They particularly dig vintage garage rock, psych-rock, folk, country, soul, funk, and r&b — among many other genres.

The Blue Walrus

The Blue Walrus is an online music publication based out of London, England. They’re obsessed with all things indie. Particularly electronic and folk music. Their vintage site design is very cool, but the fresh music they feature, is even cooler. Check these guys out for some intensely interesting music. We promise you won’t regret it.

The Monday Morning Tape

The aim of Monday Morning Tape is to encourage music recommendations and discourse. MMT gets roughly 200 submissions each week — most of them are from PR reps and other industry people. However, approx 20 each week come from some random person that says something like: “Hey man, I recorded this in my basement with some friends.  It’s our life’s work to this point and we think it turned out pretty cool.  It’d be great if you’d take a listen and maybe help spread the good word.” These are the best kind of submissions according to MMT. Take heed.

Various Small Flames

Various Small Flames believes that music and writing have the power to connect people and help them better understand themselves and each other. VSF shares radical music from independent artists, especially home recordings and DIY labels. In a previous life, this site was known as Wake the Deaf. They’re quite legit. Trust us.

Tome To The Weather Machine

Tome to the Weather Machine is an aloof music blog that was founded back in February of 2009 by Crawf and Ryan H. The blog features an eclectic array of indie pop, folk, and other alternative artists bordering on experimental brilliance. We love these guys — so be sure to give their site a visit!

Spectral Nights

Spectral Nights is a conglomeration — or rather a collective of music fans, not critics. Their site is a space for them to wax lyrical content about bands they like and gigs they’ve been to — from album reviews to new music videos, and so much more — including the occasional intimate interview, festival review, and gnarly playlist. Spectral Nights mainly digs alternative music, but also has a deep love for pop music — and will quote High Fidelity until the end of time. This site is something special.

Obscure Sound

Obscure Sound is an indie music site that was formed way back in February of 2006 out of a passionate love for finding new and emerging quality music. The site’s aim is to provide music fans with the latest and greatest music, preferably from artists nobody has ever heard of. Obscure Sound also offers streaming and/or downloadable audio content in addition to in-depth write-ups and reviews. Most of their content is one track-focused — but with an option for the listener to hear more.

Hearing Gold

Hearing Gold is an independent music blog showcasing emerging artists from around the globe. Very cool music, modern site design, and in-depth interviews here — so be sure to check them out!

Drunken Werewolf

Bristol, UK-based Drunken Werewolf supports independent and unsigned artists of all shapes, sizes and colors from around the world. DW provides daily music reviews, features, interviews and more in a sometimes heated, but always passionate manner. They’re particularly fond of new and innovative music. We implore you all to give them a gander.

God Is In The TV

God Is In The TV‘s core ethos is about giving music fans, writers, and bands an independent platform, regardless of genre, position or hype. If the name of their site is any indication of the quality of their music — well then you will not be disappointed my friend.

Kid With a Vinyl

Kid With a Vinyl is an exceptionally independent music blog devoted to covering the very best new music spanning across many genres and subgenres. KWV is a delightfully quirky indie music blog featuring in-depth write-ups of obscure music from around the planet.

The Owl Mag

The Owl Mag is a nocturnal, handcrafted music blog who has been unearthing diamonds from the rough and amassing credibility in the music world since the early days of digital music. Superb music reviews, brilliant ticket giveaways, water cooler talk, or break-time browsing — The very wise Owl Mag has it all. Some describe The Owl Mag as a bronze medal music publication and gold medal drinkers — but we think this one is a drunken dandy fit for true lovers of all things indie.

A Note to Artists & Publicists: How to Submit Music to Blogs